Walk,
When the walls on your left, and your right are cold,
When you're not sure if there's a hand in front reaching out to hold yours,
When the only place you still hear the song is in your head.
Walk,
Even when you seem to be going in circles,
Even when you don't see a light in miles,
Even when you're not sure if you're going to make it.
Walk,
And recall the song that warmed you and sing it,
And let your voice reach out like hands into a darkness feeling just as lost
And remember the light that bathed you, is inside you waiting to be born.
Tuesday, August 19, 2008
Sunday, July 27, 2008
Black walls, under a black ceiling,
Not like the four walls of a room
But like a maze
Just a little too tall for one to see what's on the other side.
The windows covered with opaque paper,
Black too, but now full of holes;
And in the morning these tiny holes light up
With a light that seems to be the only thing that belongs
To a world where time still moves.
Not like the four walls of a room
But like a maze
Just a little too tall for one to see what's on the other side.
The windows covered with opaque paper,
Black too, but now full of holes;
And in the morning these tiny holes light up
With a light that seems to be the only thing that belongs
To a world where time still moves.
Black Box
Black walls, under a black ceiling,
Not like the four walls of a room
But like a maze
Just a little too tall for one to see what's on the other side.
The windows covered with opaque paper,
Black too, but now full of holes;
And in the morning these tiny holes light up
With a light that seems to be the only thing that belongs
To a world where time still moves.
Not like the four walls of a room
But like a maze
Just a little too tall for one to see what's on the other side.
The windows covered with opaque paper,
Black too, but now full of holes;
And in the morning these tiny holes light up
With a light that seems to be the only thing that belongs
To a world where time still moves.
Sunday, June 29, 2008
Wednesday, June 25, 2008
in the end, we're really all just information. very evolved information. if we let digital version of "genes" evolve, they'll end up just as evolved, someday. but in between all the things that what genes do, the resulting chemistry makes us feel this thing called "emotions". I wonder what kind of "emotions" digital genes can end up feeling.
Tuesday, June 17, 2008
I find it difficult to finish the day
Because the hustle of the day leaves me
With little change, but i still dig hard
To find that one-cent coin I don't have
So that tomorrow's change won't come in all sorts of odd shapes
That do not stack up properly in my world.
So i let the minutes run by
My eyes open, neither asleep nor awake
Tired from navigating, having brought home
The rest of the body, now collected in a pile
Until some strange courage tucks me into bed and whispers in my ear
That it's alright to leave the rest of everything left undone,
That Tomorrow will come to me as generously as today had -
And the thing is,
I already know that
From the countless nights I had watched
The nights deepen into mornings that do not
Leave me any more comforted.
Because the hustle of the day leaves me
With little change, but i still dig hard
To find that one-cent coin I don't have
So that tomorrow's change won't come in all sorts of odd shapes
That do not stack up properly in my world.
So i let the minutes run by
My eyes open, neither asleep nor awake
Tired from navigating, having brought home
The rest of the body, now collected in a pile
Until some strange courage tucks me into bed and whispers in my ear
That it's alright to leave the rest of everything left undone,
That Tomorrow will come to me as generously as today had -
And the thing is,
I already know that
From the countless nights I had watched
The nights deepen into mornings that do not
Leave me any more comforted.
Thursday, May 29, 2008
saw/heard the most inspiring piece of art/thought about art in years.
Arthur Ganson: Sculpture that's truly moving
"...all of these pieces start off in my own mind in my heart and I do my best at finding ways to express them with materials and it always feel very crude, and it's always a struggle, but somehow I manage to get the thought out into an object and then it's there; it means nothing at all - the object itself just means nothing - (but) once its perceived and someone brings it into their own mind then there's a cycle that has been completed and to me that's the most important thing... and that is the complete cycle, coming from inside, out to the physical, to someone perceiving it." - Arthur Gansor
To me, that's a beautiful way of saying something that seems to hint at the the most fundamental difference in approach between the engineering and the arts - to engineering, the object, or the thought behind the object is everything, but to art, the object is nothing - it's the thought after the object that counts. And it's really inspiring how the language of engineering can similarly be used to say that sweet nothing that means everything.
Arthur Ganson: Sculpture that's truly moving
"...all of these pieces start off in my own mind in my heart and I do my best at finding ways to express them with materials and it always feel very crude, and it's always a struggle, but somehow I manage to get the thought out into an object and then it's there; it means nothing at all - the object itself just means nothing - (but) once its perceived and someone brings it into their own mind then there's a cycle that has been completed and to me that's the most important thing... and that is the complete cycle, coming from inside, out to the physical, to someone perceiving it." - Arthur Gansor
To me, that's a beautiful way of saying something that seems to hint at the the most fundamental difference in approach between the engineering and the arts - to engineering, the object, or the thought behind the object is everything, but to art, the object is nothing - it's the thought after the object that counts. And it's really inspiring how the language of engineering can similarly be used to say that sweet nothing that means everything.
Monday, May 26, 2008
Saturday, May 24, 2008
CALL FOR SPONSORSHIP FOR CALL FOR SUBMISSION
Taking eco-living to the next stage, eco-living should not just be about recycling unwanted material or cutting down on resource usage, but also maximizing the use of "wasted" energies and turn them into useful energies. This call for submission is a step towards a lifestyle which wasted energies may be turned to do useful work.
The Challenge CAT A : To design a room or an entire house that makes use of air movements generated by the movements of its inhabitants during urban-living related activities to naturally collect dust in places in the space that facilitate easy cleaning. The design should reflect how our everyday lives interact with our living spaces through activities that satisfy various needs which are integral to urban living. The design should also reflect manufacturing processes that do not consume any more energy resources than is needed to put together a current-day living space that satisfies the same needs.
The Challenge CAT B : To design an office space that makes use of unwanted heat from machines and radiation in the air to perform tasks that make the office environment more inhabitable. Any new facility introduced should not consume additional energy or resources in its usage. The manufacture of any new facility may consume energy resources up to the amount of energy resources it is able to recycle within a 5-year period. Designs may assume the existence of mass-production facilities for the production of any new equipment needed to create this office space.
Taking eco-living to the next stage, eco-living should not just be about recycling unwanted material or cutting down on resource usage, but also maximizing the use of "wasted" energies and turn them into useful energies. This call for submission is a step towards a lifestyle which wasted energies may be turned to do useful work.
The Challenge CAT A : To design a room or an entire house that makes use of air movements generated by the movements of its inhabitants during urban-living related activities to naturally collect dust in places in the space that facilitate easy cleaning. The design should reflect how our everyday lives interact with our living spaces through activities that satisfy various needs which are integral to urban living. The design should also reflect manufacturing processes that do not consume any more energy resources than is needed to put together a current-day living space that satisfies the same needs.
The Challenge CAT B : To design an office space that makes use of unwanted heat from machines and radiation in the air to perform tasks that make the office environment more inhabitable. Any new facility introduced should not consume additional energy or resources in its usage. The manufacture of any new facility may consume energy resources up to the amount of energy resources it is able to recycle within a 5-year period. Designs may assume the existence of mass-production facilities for the production of any new equipment needed to create this office space.
Monday, May 19, 2008
Tuesday, March 11, 2008
Sunday, February 10, 2008
Loneliness is not so unfamiliar as it is difficult;
Difficult because whenever I try to put a name or a face
To the restlessness of my heart,
I come to the frightening conclusion that there is nobody
That I actually miss;
And between busy days,
When I stop to slowly sip my morning coffee
I can't actually remember
Who my best friends were -
Only procedures, patterns, places,
As if I have become a case study for a thesis that is eating up my life.
And yet there is this great sense of being alone,
Like an old monument that has witnessed a city change,
Only to find itself the only familiar view on the landscape,
Its yellowed white hiding under another skin of paint.
Perhaps it is the blessing of a line of kindred spirits
Who had been with me for a little while, and then gone,
(We shall not debate who has outgrown who,)
But now my heart
Will not be satisfied
With anything less than a soul
Similarly burdened,
That it can no longer remember
The faces of even those
Who have bothered to come by
And put moisture to my cracking lips
In a desert of lonely souls.
Here i sit, longing, wanting,
Afraid that the same emptiness that drives me
To want to be wanted by beautiful strangers,
Is the only companion I must learn to live with
Until my heart gives up its beat.
Difficult because whenever I try to put a name or a face
To the restlessness of my heart,
I come to the frightening conclusion that there is nobody
That I actually miss;
And between busy days,
When I stop to slowly sip my morning coffee
I can't actually remember
Who my best friends were -
Only procedures, patterns, places,
As if I have become a case study for a thesis that is eating up my life.
And yet there is this great sense of being alone,
Like an old monument that has witnessed a city change,
Only to find itself the only familiar view on the landscape,
Its yellowed white hiding under another skin of paint.
Perhaps it is the blessing of a line of kindred spirits
Who had been with me for a little while, and then gone,
(We shall not debate who has outgrown who,)
But now my heart
Will not be satisfied
With anything less than a soul
Similarly burdened,
That it can no longer remember
The faces of even those
Who have bothered to come by
And put moisture to my cracking lips
In a desert of lonely souls.
Here i sit, longing, wanting,
Afraid that the same emptiness that drives me
To want to be wanted by beautiful strangers,
Is the only companion I must learn to live with
Until my heart gives up its beat.
Monday, December 10, 2007
it's amazing how little the country could have changed, given how much it has been engineered in the past 60 years. the trains are still operated by a captian who stops the train, opens the doors and closes them with a control box, rings a bell, and then starts the train. then he announces the train's journey on the PA system. it's all very nostalgic, and very puzzling, yet intriguing, how this country decides which jobs go to people, and which go to machines.
Thursday, December 06, 2007
what the mind does to resolve the two "stereo" images that fall on the retina to triangleate them into a 3D visual experience is beyond me. but putting on a new pair of glasses just makes what the mind does even more, mind boggling.
the mind probably has a mega-database of experiences that it aligns information from the senses and attempts reconstruct for us a copy of reality, much like animators make a 3D-model of the world inside the computer. but what impresses me so is the brain's tolerance for error and change. changing specs is like introducing a systematic error to your senses - and amazingly the brain takes care of that. somehow it has a mechanism to "normalise" the newly skewed data and still make sense of it. it's like it doesn't "hardcode" anything. and it's amazingly fast.
amazing that we have brains built-in, ain't it?
the mind probably has a mega-database of experiences that it aligns information from the senses and attempts reconstruct for us a copy of reality, much like animators make a 3D-model of the world inside the computer. but what impresses me so is the brain's tolerance for error and change. changing specs is like introducing a systematic error to your senses - and amazingly the brain takes care of that. somehow it has a mechanism to "normalise" the newly skewed data and still make sense of it. it's like it doesn't "hardcode" anything. and it's amazingly fast.
amazing that we have brains built-in, ain't it?
Wednesday, December 05, 2007
e:if meaning in life comes from books, then which came first, meaning or books?
e:^nvm
h:meaning! because there would be no books if there was no meaning to writing them. or at least something along that line
e:ya
e:so reading about the meaning of life is second-hand-knowledge.
e:someone already put into his/her mouth, chewed, and then put it into a bowl.
e:^nvm
h:meaning! because there would be no books if there was no meaning to writing them. or at least something along that line
e:ya
e:so reading about the meaning of life is second-hand-knowledge.
e:someone already put into his/her mouth, chewed, and then put it into a bowl.
Monday, November 19, 2007
Thursday, November 15, 2007
Monday, November 05, 2007
Sunday, November 04, 2007
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